SANS TITRE, 1965
Dédicacé à André Breton “Pour André/ Pour celui/Sans qui/Rien/aurait de sens”
Berlin, Rembrandt Verlag, 1941
20,5 X 14 cm., cartonnage éditeur, 167p.
(17623 FD24)
ANDRE SALMON, circa 1960
Silver salt print, 12.5 x 9 cm., stamp on the back
(CNSA)
ANDRE SALMON, circa 1960
Silver salt print, 12.5 X 9 cm., stamp on the back
(CNSA)
Collection Les imaginaires, Paris, Bordas, 1945, 18,2 X 12 cm, 268 p.
Envoi de l’auteur à René Laporte
(17392 E)
Exhibition catalog, New York, Buchholz Gallery (Curt Valentin), undated, 15.6 x 11.5 cm, 3 pages, with attached invitation (5953 EV).
SELECTION, Chronicle of Artistic Life, Antwerp, Review directed by André de Ridder Notebook 7, 1929, 26.5 X 19 cm, numerous illustrations (9204 E).
EAUX-FORTES THEATRALES POUR MONSIEUR G., bulletin de souscription
Paris, Editions de la Montagne, 1933, 13,2 X 20,4 cm., papier imprimé plié
(17292 E)
Written by Marie-Laure de Noailles under the pseudonym Erica Ferrare Paris, 1945, folded cover, 14.3 X 9.7 cm., 147 p. Printed in 1000 copies on numbered Auvergne paper from 1 to 1000; no. 836. Manuscript dedication from the author accompanied by a small poplar leaf (15424 E).
“RECENT PAINTINGS, Exhibition Catalog, Paris, Gallery of the Dragon, 1964, 18 X 23 cm., with illustrations. Texts by André Pieyre de MAndiargues (217 E)”
Variations on some perishable questions, Brussels, Les lèvres nues, 1957, 19.2 X 12.5 cm., 152 p. (16551 FD)
“The Magnetic Needle, No. 1, Antwerp, April 1940, 18 X 12.5 cm. Limited edition of 225 copies for non-commercial use. One of 25 copies on Dutch paper numbered from 1 to 25, No. 20. Two dedications by Marcel Mariën on the title page, one to Jean Bastien and another to Georges Hugnet (16556 FD)”.
