Bougival, Ivan Tourgueniev Museum, 1991, 24 X 16 cm, unpaged, illustrations (8995 E).
Bougival, Ivan Tourgueniev Museum, 1991, 24 X 16 cm, unpaged, illustrations (8995 E).
Paris, Mercure de France, 1919, 15.5 X 9.5 cm., 124 pages, signature of Maurice Henry on the first page. Damaged spine (MH29/07/09).
Paris, Textuel Editions, 2005, hardcover, 27.8 X 27.8 cm, 100 pages, numerous illustrations. Signed by the artist. (12350 EV)
“A. ROBIN, ESSAY ON COMPARATIVE HISTORY OF LETTRISM, FROM INFORMAL TO SIGNS, AND SOME INDEPENDENT SIGN ARTISTS, PRECEDED BY AN INTRODUCTION FROM MICHEL TAPIÉ, PARIS. I.C.P., S.D., IN-16, 28 P. PREFACE TEXT FOR THE EXHIBITION “THE LETTER AND SIGN IN CONTEMPORARY PAINTING” PRESENTED AT THE GALLERY VALÉRIE SCHMIDT, IN PARIS, IN JANUARY 1963 (SMALL STAIN ON COVER) (FLMF)”
Paris, Art Editions “La cible”, J. Povolozky, 1920, 32 X 25 cm. Original edition, limited to 500 copies, author’s inscription. Restored cover.
Paris, Croutzet and Depost, 1924, 23.8 x 16 cm, 33 p. Slight traces of moisture on the edges of the cover (6121 ED).
Exhibition catalogue, New York, Buchholz Gallery, 1946, 17 x 12 cm, unpaged, 5 illustrations. (5945 EV)
Exhibition catalog, New York, Buchholz Gallery, 1949, 17.3 X 12 cm, unpaged, 7 ill. (5946 EV)
Exhibition catalog, New York, Curt Valentin Gallery, 1953, 17 X 12 cm, unpaged, 10 illustrations. (5944 EV)
6 Photographic prints from the 1950s-1960s, different sizes, stamp on the back, mostly for Plaisir de France
TOLSTOI
LENINE
MARCEL PROUST
PAUL VALERY
WILSON, CLEMENCEAU, ORLANDO, LLOYD GEORGE
ARLETTY AND KOVAL “BOUFFES PARISIENS”
(TP4)
6 original prints from the 1950s-1960s, different sizes, stamped on the back, most of them for Plaisir de France
TOLSTOI
LENINE
MARCEL PROUST
PAUL VALERY
WILSON, CLEMENCEAU, ORLANDO, LLOYD GEORGE
ARLETTY AND KOVAL “BOUFFES PARISIENS”
(TP4)
LUDMILLA PITOEFF AS JOAN OF ARC, circa 1934
Photographic print, 24 X 18 cm., stamp on the back
Annotations on the back
(TP3)
LUDMILLA PITOEFF AS JEANNE D’ARC, circa 1934
Photographic print, 24 x 18 cm, stamp on the back
Annotations on the back
(TP3)
PIERRE BONNARD, circa 1935, print from the 1950s
Silver salt print, 23 X 18 cm., stamp on the back
(CNSA)
