Collection Le petit écrasons, n°4, Paris, Le terrain vague, 1966 (14035 CH)
Collection “The Little Crushes”, No. 4, Paris, The vacant lot, 1966 (14035 CH)
Collection Le petit écrasons, n°4, Paris, Le terrain vague, 1966 (14035 CH)
Collection “The Little Crushes”, No. 4, Paris, The vacant lot, 1966 (14035 CH)
Tract, Paris, December 15, 1967, 25 X 19 cm, double-sided pink printed paper (14042 CH)
New York, Harry N. Abrams, Inc. / Paris, Pierre Horay, no date specified, 28 x 30 cm, hardcover, dust jacket, 200 pages, illustrations (12943 EV).
Original drypoint created by Arman for Renault on the occasion of the new year 1981, 11 X 17 cm. Collection of Art and Industry Research, n°1 Print run of a thousand copies (15738 E)
Collection Mains et merveilles, Paris, Editions de la différence, 1987, 27.5 x 29.5 cm, hardcover, 397 pages, illustrations, slipcase. Partially detached spine (643 ED).
Francis Picabia’s artwork titled “The Dance at the Spring” was a postcard exhibited in New York City as part of the Association of American Painters and Sculptors / International Exhibition of Modern Art in 1913. The dimensions of the postcard are 14.2 x 9.2 cm.
Constantin Brancusi, A MUSE, Postcard, New York, Association of American Painters and Sculptors / International Exhibition of Modern Art, 1913, 14.2 x 9.2 cm.
“Dada Performance at the Theatre of Circumstance Fascicle, part of the series published under the direction of Richad Tialans in Liège by ALMA Editions, undated (circa 1967), 27.5 X 21.5 cm., multi-copied pages bound together by a yellow ribbon and a 25 cent piece. Contains the text “Dada Unblocking” by Noël Arnaud (14153 E).”
Exhibition catalog, Toulouse, Modern and Contemporary Art Space, 1997, 28 x 21 cm., 75 pages, illustrations (16693 FD).
Exhibition Catalogue, Paris, Museum of Decorative Arts, Pavillon de Marsan, 1959, 25.5 X 18.5 cm, unpaginated, illustrations. Ballpoint pen annotations (16836 ED).
Exhibition catalog, Paris, Grand Palais, 1983, 24 x 14.5 cm., 55 p., illustrations (16837 E)
Surrealist map, Paris, Georges Hugnet, 1937, printed on blue, yellow or green paper, 9 x 14 cm. Fading.
