Enrico FALQUI, LE MOUVEMENT FUTURISTE, Paris, Institut culturel italien, 1967, 27 X 21 cm, 17 pages tapuscrites brochées
(11756 E)
Enrico FALQUI, LE MOUVEMENT FUTURISTE, Paris, Institut culturel italien, 1967, 27 X 21 cm, 17 pages tapuscrites brochées
(11756 E)
Leverkusen, Bayer Verke, (1965), 21,5 X 21,2 cm., relié toile éditeur, non paginé, illustrations
(15018 15614 E)
GOUACHES ET DESSINS, Invitation, Paris, Daniel Cordier, 1961, 30 X 12,5 cm., papier imprimé recto/verso
(17366 E)
Gravure sur bois, 29 X 21 cm., signé et numérotés par l’artiste
“Contemporary Poets, No. 7, Paris, Pierre Seghers, 1949, 15 x 13 cm, 216 pages, illustrations (14111 EV)”
“Alger, Edmond Charlot Editions, 1942, 20 X 13.6 cm, numbered copy, #3 (15719 E)”
“Meridian Editions, 1943, 22 X 14 cm., 96 p. One of 500 copies on gothic paper numbered from 1 to 500, #2 (15711 E)”
Paris, The new edition, 1945, 23.5 X 19.5 cm. Traces of dampness (15710 E).
Paris, Gallimard, NRF, 1946, 18,6 X 12 cm, 210 p.
(17403 E)
Paris, Robert Laffont, 1947, 25.5 x 16.5 cm., 55 p. Traces of dampness (15714 E).
The living theater, No. 2, Paris, Pierre Seghers, 1947, 20.5 x 14.5 cm, 145 pages. (15716 E)
“The Poetic Image in Don Luis de Gongora’s Theory and Game of the ‘Demon’: Spanish Lullabies. Paris, Pierre Seghers, 1947, 19 x 12 cm., 97 p. freckles (15718 E)”
Exhibition Catalogue, Brussels, Fred Lanzenberg Gallery, 1977, 21 X 21 cm., illustrations (275 copies)
Cobden-Sanderson, 1935, publisher’s cloth binding, 22 X 14cm., 162p., numerous illustrations. Many pencil annotations, work copy belonging to Milton S. Fox, editor in chief of Abrams Editions. Missing dust jacket (9579 ED).
