Staffhausen, Editions Stemmle, 1989, 29 X 24 cm., publisher’s cloth binding, dust jacket, 348 p., illustrations. German version of the catalogue for the exhibition “Perpetual Motif: The Art of Man Ray” organized in 1988 by the National Museum of American Art, Smithsonoian Institution (860 ED).
Los Angeles, J. Paul Getty Museum, 1998, 19.2 x 15 cm., 143 p., illustrations (8989 E)
Surrealist card, Paris, Georges Hugnet, 1937, printed on blue paper, 9 x 14 cm. Discolorations, scratches.
Berlin, Rembrandt Verlag, 1941
20,5 X 14 cm., cartonnage éditeur, 167p.
(17623 FD24)
ANDRE SALMON, circa 1960
Silver salt print, 12.5 x 9 cm., stamp on the back
(CNSA)
ANDRE SALMON, circa 1960
Silver salt print, 12.5 X 9 cm., stamp on the back
(CNSA)
Collection Les imaginaires, Paris, Bordas, 1945, 18,2 X 12 cm, 268 p.
Envoi de l’auteur à René Laporte
(17392 E)
Exhibition catalog, New York, Buchholz Gallery (Curt Valentin), undated, 15.6 x 11.5 cm, 3 pages, with attached invitation (5953 EV).
SELECTION, Chronicle of Artistic Life, Antwerp, Review directed by André de Ridder Notebook 7, 1929, 26.5 X 19 cm, numerous illustrations (9204 E).
EAUX-FORTES THEATRALES POUR MONSIEUR G., bulletin de souscription
Paris, Editions de la Montagne, 1933, 13,2 X 20,4 cm., papier imprimé plié
(17292 E)
Written by Marie-Laure de Noailles under the pseudonym Erica Ferrare Paris, 1945, folded cover, 14.3 X 9.7 cm., 147 p. Printed in 1000 copies on numbered Auvergne paper from 1 to 1000; no. 836. Manuscript dedication from the author accompanied by a small poplar leaf (15424 E).
“RECENT PAINTINGS, Exhibition Catalog, Paris, Gallery of the Dragon, 1964, 18 X 23 cm., with illustrations. Texts by André Pieyre de MAndiargues (217 E)”
