ILLUSTRATED POSTCARD, 1913
Postcard, 13 X 9 cm.
Mail sent by the painter on 14-12-13 to Germaine Venès (mother of Pierre Cabanne) at 17 av. Trudaine in Paris.
(TP6)
ILLUSTRATED POSTCARD, 1913
Postcard, 13 X 9 cm.
Mail sent by the painter on 14-12-13 to Germaine Venès (mother of Pierre Cabanne) at 17 av. Trudaine in Paris.
(TP6)
Frida de Jong, Laurens Vancrevel, KRISTIANS TONNY, Amsterdam, Meulenhoff, 1979, 24 X 17 cm, 159 p., illustrations
(10786 EV)
Pierre de Massot, PROLEGOMENES A UNE ETHIQUE SANS METAPHYSIQUE OU BILLY, BULL-DOG ET PHILOSOPHE, ornés de six illustrations de Kristians Tonny
Paris, Editions de la montagne, 1930, un des 65 exemplaires sur vélin d’Arches, numérotés de 36 à 100, n°49, signés par l’auteur et l’illustrateur
(9427 EM)
Exhibition catalogue, Strasbourg, Museum of Modern and Contemporary Art, 2004, hardcover publisher, 228 p., illustrations (243 ED)
“The School of the South and Its Legacy, Exhibition Catalog, Austin, The Archer M. Huntington Art Gallery / University of Texas, 1992, 393 pages, illustrations (9439 EM)”
Exhibition Catalogue, Valence, IVAM Centre Julio Gonzalez, 1997, publisher’s hardcover, 393 p., illustrations (9430 EM)
Paris, René Drouin Gallery, 1942, 33.5 x 25.5 cm Illustrated by Roger Toulouse Original edition, copy no. 138/215.
Poem by Jundrich Heisler, Paris, Arcanes, 2001, 28 x 19 cm, illustrations. Cover drawn by Guy Doumayrou. Reprint in facsimile of the 1953 edition. Limited edition of 400 numbered copies, No. 165 (9054 E).
“With texts by André Breton and Benjamin Péret, Köping, Lindsfors Förlag, 1984, publisher’s hardcover, 32 X 25 cm, 106 p., illustrations, dust jacket (1691 ED)”
NEW FORMATIONS. CZECH AVANT-GARDE ART AND MODERN GLASS FROM THE ROY AND MARY CULLEN COLLECTION
Houston, The Museum of Fine Arts, 2011, hardcover, publisher’s cloth, 31 x 25.5 cm, 319p., illustrations, dust jacket
(12470 ED)
(The text describes a book titled “New Formations” about Czech avant-garde art and modern glass from a specific collection, published by The Museum of Fine Arts in Houston in 2011, in a hardcover edition with illustrations and a dust jacket.)
Surrealist tract, Paris, August 1925, printed paper, 50 x 32.5 cm.
LA MOBILISATION CONTRE LA GUERRE N’EST PAS LA PAIX, Les raisons de notre adhésion au Congrès International contre la guerre
Tract surréaliste, (Paris), (juin 1933), papier imprimé recto-verso, 31 X 27 cm
Tract signé par Breton, Caillois, Char, Crevel, Eluard, Monnerot, Péret, Gui Rosey, Tanguy, Thirion.