The French filmmaker Louis Daquin visiting the Art Museum of RPR in Bucharest, circa 1950-60
Photographic print, 11.7 x 17.7 cm, stamp on the back, annotations
(TP6)
LIVE AND LET DIE OR THE TRAGIC END OF MARCEL DUCHAMP, Manifesto brochure, Paris, Creuze Gallery, 1965 THE DAILY DECOR OF LIFE IN 1968, Invitation, Paris, Galliera Museum, 1968 ART, AVANT-GARDE, Festival Program, Paris, November 1960 (LAV)
Exhibition invitation/catalogue, Paris, Paul Pétridès Gallery, 1958, 23.3 x 15.5 cm (9340 EV).
A. T’Serstevens, APPEL DE L’AVENTURE, “Mer et Outre-mer”, Paris, Editions Colbert, 1942
19 X 14,5 cm., 248p., frontispice de Gustave Alaux
(17857 E)
Comedic drama in three acts for acrobats, jugglers & equilibrists composed in Paris, Editions SIC, 1921, 28 X 19 cm, 36 p. (15590 E)
Portrait of Jacques Hebertot, circa 1950
Vintage silver print, 12.7 x 8 cm., stamp on back
(TP8)
Portrait of Jacques Hebertot, circa 1950
Vintage silver print, 16.5 x 11 cm, stamped on the back
(TP8)
RUINE DES COMPAGNIES PETROLIERES, Valencia, les Iles fortunées, 2000, 24,2 X 20 cm.
Un des 20 exemplaires hors commerce comprenant une eau-forte originale de Pierre Alechinsky sur des certificats de titres de compagnies pétrolières, signée et numérotée par l’artiste, N°5/20 HC
Envoi de l’artiste
Hanna Graham, 2009, 26.3 X 21.8 cm, hardcover publisher, 301 p., illustrations, dust jacket (16663 EV).
DIE PASSAGIERE DER LEEREN PLATZE, Mit 12 Zeichnungen von George Grosz
Berlin, Der Malik-Verlag, 1921, 25 X 18 cm., cartonné éditeur, 77p., 12 illustrations
(18361 FD24)
Exhibition Catalogue, Paris-Brussels, Isy Brachot Gallery, 1988, 30.5 X 22 cm., illustrations, Text by Pierre Bourgeade (7851 ED).
